A Nostalgic Reclamation: Taylor Swift’s “1989 (Taylor’s Version),” brings back the fundamentals of pop
Ayah Alsheikha, Lede Editor
• November 13, 2023
PV Choir Director Meg Byrne nominated for GRAMMY Music Educator Award
Grace Schmidt, Student Life Editor
• November 3, 2023
Lampshading’s attack on storytelling authenticity
Roger Weng, Copy Editor
• October 26, 2023
Country music is the next globalized style of American music
Roger Weng, Copy editor
• October 26, 2023
The unending fragmentation of streaming services
Troy Tomson, Site Manager
• October 23, 2023
REVIEW: Drake blends old flows with new styles in his newest album, “For All The Dogs”
Armaan Bhagwat, Photo Manager
• October 23, 2023
Concert ticket prices have soared in past year
Alex Blunk, Classroom Manager
• October 23, 2023
Netflix’s latest addition “Suits” breaks viewership records
Ashwin Parab
• October 22, 2023
REVIEW: Becky G embraces culture, community and the self in “ESQUINAS”
Margil Sanchez Carmona, Arts & Entertainment
• October 13, 2023
The increasing phenomenon of bad apology videos
Gabi Ragins, Multimedia Manager
• October 7, 2023
Dystopian future ahead- AI may replace actors and writers
Nikhil Behere, Opinion Editor
• October 5, 2023
Newest interactive Netflix film, “Choose Love,” presents an unaccounted medium for writers
Margil Sanchez Carmona, Arts & Entertainment Editor
• October 3, 2023
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