
REVIEW: A look into Netflix’s new documentary: “Our Father”
Sidney Brockmann, Social Media Manager
• May 25, 2022

REVIEW: Kendrick Lamar’s new album is what old fans anticipated—and more
Parker Paulson, News Editor
• May 25, 2022

REVIEW: Season 13 of apex legends: new legend, updated guns, and a broken ranked system
Vishnu Challa, Site Manager
• May 24, 2022

The inescapable nature of musical artists’ influence
Ryan Vance, Business Manager
• May 24, 2022

REVIEW: Mixed signals in A24’s slasher “X” and how femininity frightens
Molly Rawat, Opinion Editor
• May 22, 2022

REVIEW: “Harry’s House” reveals a unexpected, confident and ultra-pop version of Harry Styles
Makenna Leiby, A&E Editor
• May 22, 2022

Reflecting on the 2022 Met Gala: The normalization of critiquing high-end fashion designers and brands
Allisa Pandit, Innovation Manager
• May 19, 2022

REVIEW: Misinterpretation of the “Multiverse of Madness:” Marvel did it right
Natalie Richmiller, Photo Manager
• May 19, 2022

From avant-garde to appreciation: Foreign movies struggle to amass praise in the United States
Parker Paulson, News Editor
• May 19, 2022

Draining: A unique lifestyle pioneered by music collective Drain Gang
Molly Rawat, Feature Editor
• May 11, 2022

Are movie theaters dying?
Jayne Abraham, Editor-in-Chief
• May 9, 2022
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